The ultimate 32-channel mixing console.

More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.

The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown — even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.

The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds — total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.

TASCAM DM-3200 Digital Mixer Features:

• 32 channels and 16 auxiliary returns for 48 total inputs
• 16 buses — configurable as two 6.1 surround sends
• 8 Aux Sends
• 16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch
• 24 channels of TDIF and 8 channels of ADAT built in
• 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards
• Dedicated cascade port supports cascade of two DM-3200s
• Per channel LED ring encoders for pan, aux sends and EQ
• Built-in DAW control
• All inputs, effects and processing are available at 96k - no features are sacrificed at full sampling rate
• Transport controls control DAW, HDR or tape playback
• Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP™, Apple Logic, Steinberg Cubase® and Nuendo®
• Powerful automation with touch-sensitive motorized faders
• 4-band parametric EQ and dynamics on each channel
• 32-bit internal resolution with 64-bit EQ resolution
• Two built-in effects processors include TC Works reverb processing
• Flexible routing — route from virtually any input to any output
• Back up mix data to convenient Compact Flash media slot or to USB
• Optional MU-1000 meter bridge
• Stylish, professional design with rear panel I/O connections
• TASCAM Mixer Companion software (Win XP/OSX) with:
• Driverless USB connection to computer
• Backup/restore data via USB
• On screen timecode, transport and meter displays
• Maximum overall dimensions (w x d x h): 27.6" x 32.9" x 9.1"_(700mm x 836mm x 230mm)
• Weight 52.8lbs (24kg

TASCAM DM-3200 Digital Mixer Includes:

• Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable,
• CD-ROM, warranty card

Order this advanced mixer with the assurance of our Dual Guarantees. You've gotta love it or your money back!

TASCAM DM-3200 Digital Mixer Specifications:

• Analog audio I/O
  
  All specifications are given with the factory reference
• level of —16 dBFS.
  
  MIC inputs (channels 1 through 16) balanced XLR-type female connectors
• adjustable input level: (—60 dBu (TRIM max) to —4 dBu (0 dB pad))
• (—40 dBu (TRIM max) to +16 dBu (—20 dB pad))
• Input impedance 2.2k Ohms
• PHANTOM (+48V) +48 V phantom power. Switchable in blocks of 4 channels
• (1—4, 5—8, 9—12, 13—16)
• LINE IN (BAL) inputs (channels 1 through 16) balanced 1/4" jacksb
• adjustable input level (—44 dBu (TRIM max) to +12 dBu (TRIM min))
• Input impedance 10k Ohms
• INSERT connections (channels 1 through 16)od 1/4" TRS jacksc
• Send: nominal output level —2dBu, maximum output level +14 dBu,
• impedance 100 Ohms
• Return: nominal input level —2dBu, headroom 16 dB, impedance 10 kohms
• ASSIGNABLE RETURNS (BAL) (1 through 4) Balanced 1/4" jacks
• Nominal input level: +4 dBu
• Headroom: 16 dB
• Input impedance: 5k Ohms
• ASSIGNABLE SENDS (1 through 4) Pseudo-balanced 1/4" jacks
• Nominal output level: —2 dBu
• Maximum output level: +14 dBu
• Output impedance: 100 Ohms
• 2 TR IN (L/R) 2 x RCA pin jacks
• Nominal input level —10 dBV
• Headroom: 16 dB
• Input impedance: 10 k Oms
• STEREO OUTPUT (L/R) Balanced XLR-type male connectors
• Nominal output level: +4 dBu
• Maximum output level: +20 dBu
• Output impedance: 100 Ohms
• MONITOR OUTPUTS (CR (BAL)) Pseudo-balanced 1/4" jacks
• Nominal output level: +4 dBu
• Maximum output level: +20 dBu
• Output impedance: 100 Ohms
• MONITOR OUTPUTS (STUDIO) RCA pin jacks
• Nominal output level —10 dBV
• Maximum output level: +6 dBV
• Output impedance: 100 Ohms
• PHONES 2 x 1/4" stereo jacks
• 50 mW + 50 mW total
• 32 Ohms
  
  a. all XLR-type connectors are wired 1=ground, 2="hot", 3="cold"
• b. all balanced 1/4" jacks are wired sleeve=ground, ring=cold, tip=hot
• c. all TRS 1/4" jacks are wired sleeve=ground, ring=return, tip=send
• d. Maximum with both PHONES jacks driven at maximum
  
  Digital audio I/O
• DIGITAL INPUTS (1, 2) 2 x XLR-type female connectors (input impedance 110 Ohms) or
• 2 x RCA pin jacks (input impedance 75 Ohms) (selectable)
• AES3-1992 or IEC60958 data format (automatically detected)
• 24-bit word length
• Switchable sampling frequency conversion available
• DIGITAL OUTPUTS (1, 2) 2 x XLR-type male connectors (output impedance 110 Ohms)
• 2 x RCA pin jacks (output impedance 75 Ohms)
• AES3-1992 or IEC60958 data format (software selectable)
• 24-bit word length
• TDIF-1(1, 2, 3) 3 x 25-pin (female) D-sub connectors (metric lock screws)
• Conform to TDIF-1 standard
• 24-bit word length
• ADAT IN/OUT 2 x "Lightpipe" optical connectors
• Conform to ADAT OPTICAL specifications
• 24-bit word length
• Sampling frequencies Internal 44.1 kHz/48 kHz, 88.2 kHz/96 kHz (high sampling frequencies)
• External ±6.0%
• Signal delay < 1.7 ms — Fs = 48 kHz, LINE IN to STEREO OUTPUT
• < 0.85 ms — Fs = 96 kHz, LINE IN to STEREO OUTPUT
  
  Miscellaneous I/O connections
• WORD SYNC IN BNC connector
• Switchable 75 Ohms termination
• TTL level
• WORD SYNC OUT/THRU BNC connector
• Switchable between through and output
• TTL level
• MIDI IN, OUT, THRU/MTC OUT 3 x 5-pin DIN connectors—conform to MIDI specifications
• USB USB 1.1 'B' type connector (12 Mbps)
• TIME CODE IN RCA pin jack
• Conforms to SMPTE specifications
• FOOT SW 1/4" mono jack
• TO METER 25-pin female D-sub connector (non-metric lock screws)
• For use with the optional MU-1000
• RS-422 (for Sony 9-pin) 9-pin female D-sub connector (non-metric lock screws)
• wired to RS-422 standards
• GPI (for Machine start) 9-pin female D-sub connector (non-metric lock screws) wired for GPI control
• Pin 1=GP11, Pin 2=GPI2, Pin 3=GPI3, Pin 4=GPI4, Pin 5=GND, Pin
• 6=GPI5, Pin 7=GPI6, Pin 8=GPI7, Pin 9=GP18
  
  Specifications : Equalization
• Equalization
• All filters are fitted with "gain flat" switches
• System performance
• Physical characteristics
• EQ switch On/Off
• HIGH filter Gain: ±18 dB, 0.5 dB resolution
• Frequency: 31 Hz to 19 kHz
• Q: 0.27 to 8.65
• Type: Hi-shelving, Peak, LPF
• HI MID filter Gain: ±18 dB, 0.5 dB resolution
• Frequency: 31 Hz to 19 kHz
• Q: 0.27 to 8.65
• Type: Peak, Notch
• LO MID filter Gain: ±18 dB, 0.5 dB resolution
• Frequency: 31 Hz to 19 kHz
• Q: 0.27 to 8.65
• Type: Peak, Notch
• LOW filter Gain: ±18 dB, 0.5 dB resolution
• Frequency: 31 Hz to 19 kHz
• Q: 0.27 to 8.65
• Type Low-shelving, Peak, HPF
• THD (maximum level,
• 1 kHz, TRIM: minimum)
• 20 Hz — 22 kHz LINE IN to INSERT SEND
• LINE IN to STEREO OUTPUT
• < 0.005%
• < 0.008%
• Frequency response
• (nominal level, 1 kHz,
• TRIM: minimum)
• 0.5dB/-1.0dB MIC/LINE to INSERT SEND
• 0.5dB/-1.5dB MIC/LINE to INSERT SEND
• 0.5dB/-1.0dB MIC/LINE to STEREO OUTPUTa
• 0.5dB/-1.5dB MIC/LINE to STEREO OUTPUTa
• a. MIC/LINE to channel module to STEREO OUTPUT, channel and stereo faders at 0 dB, pan hard left or hard
• right
• 20 Hz — 20 kHz (44.1/48 kHz)
• 20 Hz — 40 kHz (88.2/96 kHz)
• 20 Hz — 20 kHz (44.1/48 kHz)
• 20 Hz — 40 kHz (88.2/96 kHz)
• Noise level (20 Hz —
• 22 kHz, TRIM: max,
• 150 ohms)
• MIC in (PAD off) to INSERT SEND (A weight)
• STEREO OUT (Input no assign)
• ASSIGNABLE RETURN to ASSIGNABLE SEND
• 2TR IN to CR OUTPUT (CR: max, 0dB)
• 2TR IN to STUDIO OUT (STUDIO OUT 0dB)
• < —128 dBu (EIN)
• < —83 dBu
• < —85 dBu
• < —78 dBu
• < —88 dBu
• Crosstalk @ 1 kHz STEREO/BUSS/AUX OUTPUTS
• MONITOR OUTPUTS
• > 90 dB
• > 90 dB
• Displays Backlit 320 x 240 LCD with contrast control
• 2 x 12-segment LED meters
• Faders 17 x 100 mm stroke, motor-driven touch-sensitive faders
• Maximum overall dimensions (w x d x h) including rest 700 x 824 x 230 (mm) 27.6 x 32.4 x 9.1 (in)
• Weight 24 kg (52.8 lbs)
• Voltage requirements 120 VAC, 60 Hz
• 230 VAC, 50 Hz
• 240 VAC, 50 Hz
• Power consumption 65 W
• Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable,
• CD-ROM, warranty card